Slow States

Slow States Wilco Project #31: Far, Far Away

thefolkist — Tue, 21 May 2013 11:44:58 -0400

A perfectly good Wilco love song. In that sense it’s not particularly notable, but the important part is to pay attention to the background, which is first-class studio work, on an album that had a self-imposed one day per song rule none the less.

The alt-country tone, drums, perfect guitar grit…that’s not even the noteworthy stuff. The steel string that wanders around the entire song is both perfectly mixed and perfectly balanced. If you’re not paying attention it’s simply hiding behind the piano. But then they manage one more layer — a harmonica that also picks up and drifts off and, in a sense, is playing dueling banjos with the steels string.

It’s all fantastic, frankly. This song should be ranked much higher. It probably would be if it wasn’t sitting on such a great album.

Slow States Wilco Project #32: Sky Blue Sky

thefolkist — Tue, 21 May 2013 11:29:00 -0400

This song managed a 32 ranking without actually getting a 32 or better score from any of us. Chalk this up the subconscious torpedoing of every song any of us likes by someone else.

This is a title track, and if a title track is at it best with I Walk The Line, or Highway 61 Revisited, I guess we call this the paramount moment in which Tweedy mellowed into middle age. He’s survived long enough to license a big chunk of this album into VW commercials and play the big stage at an entirely overdone 2007 Bonaroo (I know because I was there).

This song got in the 30s because it was too uneventful for any of us to even notice.

Slow States Wilco Project #33: Hotel Arizona

scrappled — Sun, 19 May 2013 22:15:07 -0400

Yes, I rated this song fourth. Shut up.

I’m a sucker for a song about the complex relationship between musician and fans, not to mention the complex relationship between self-aware musician and self. Tweedy explored these themes often on Being There, including on “Hotel Arizona”.

Is this a lyrical milestone? Not even close. However, the last two minutes of this song slay me, and I wish they’d last forever. It’s the repetitive piano/keyboard, haunting organ, intensifying drums and guitar — all building to a solemn “One more worried whisper, right in my ear…”

Slow States Wilco Project #34: When You Wake Up Feeling Old

manof1004holds — Sun, 19 May 2013 15:52:00 -0400

I suppose it’s my turn to get back in the fray here — I’ll save the discussion of #33’s preposterous rating for Grovich — by stating that I am right between Kevin and Chris on rating this rather pleasant if unassuming ditty from Summerteeth. ”When You Wake Up Feeling Old” is sort of odd, in that it’s a simple concept in both lyrics and melody, and Tweedy does his best to stay out of the way of both, but it leaves verses that are strange and devoid of any apparent meaning (a fact that Tweedy impliedly acknowledges with his “Sing some strange verse/from some strange song of vines” line).

So the song doesn’t extend far past “Can you be where you want to be?” as the eternal question for anyone who has reached the stage in their life when the journey is dwindling. The destination is what holds the promise at that moment.

So, yeah, decent song.

Slow States Wilco Project #35: Outtasight (Outta Mind)

thefolkist — Fri, 17 May 2013 12:28:04 -0400

It’s hard to get past the video.

This was voted 25, 42, 53 — a further embodiment of Patrick and I taking contradictory angles on a song.

I’ll concede it’s not the most Wilco song Wilco ever put out. But it’s got an organ. It’s got “okay alright okay alright,” which is a fun thing to shout along to. The irreverence is fun too: that’s okay with me.

And here’s the ironic part: this is the closest thing Wilco ever had to hit. It peaked at #22 on the Billboard Mainstream Rock Tracks chart*, and would have been an interesting jumping off point to Wilco, the pop band. That would have been horrible, but interesting.

*As a side note: how un-late-’90s is something called the Billboard Mainstream Rock Tracks chart?

There are eight songs just on this albums that The Slow States Committee prefers, but that’s how hits work — they’re broad enough to achieve broad success, and not delivery anything especially inspiring to anyone. Without actually knowing, I’ll call this one part of the ex-girlfriend dig catalog of American Rock. It’s also part of the “this video has nothing whatsoever to do with the song” trend, a popular play in the late ’90s when this was released as a single.

But hey, let’s go skydiving on the record label’s tab. Maybe this should have been a sign of YHF things to come.

Slow States Wilco Project #36: You Are My Face

thefolkist — Fri, 17 May 2013 10:22:42 -0400

By far the second best song on Sky Blue Sky.

There’s a scene in High Fidelity where John Cusack is talking about the important rules of a good mix. I’ve always wished that scene was an hour long. One of the few details given is that you always have to take it back a little on the second song. ”You Are My Face” is the second track on the album and nails the spirit of that rule. It stars off as a calm spring day, windows down drive, then gets Tweedy Soulful at the two minute mark with a shout of “I have no idea how this happens.”

It then cuts back down to mellow, and drifts away with only an ode to — and not the insane pain of — A Ghost Is Born outros. This is a good track.

More beer as agriculture, e.g. what kind of food is in this...

thefolkist — Fri, 09 Nov 2012 19:16:50 -0500

More beer as agriculture, e.g. what kind of food is in this thing? Rogue continues to kill it. I know east coast beers are, as a pack, a step behind their kinsfolk out west, but this seems like an area they could take the lead quickly with such a strong small scale farming community already ramped and servicing NY and DC.

Best live show I saw this year, and I saw Bob Dylan this year....

manof1004holds — Mon, 05 Nov 2012 21:48:07 -0500

Best live show I saw this year, and I saw Bob Dylan this year. And I saw The Avett Brothers. And Isbell only played for a half-hour (it was at a festival where he was added late). And it was still the best show I saw this year.

The video is in anticipation of the Jason Isbell live album, now available for preorder and coming out in a couple of weeks.

Slow States Wilco Project #37: Pot Kettle Black

manof1004holds — Tue, 30 Oct 2012 00:26:56 -0400

Devon Edwards (@Devon2012) just picked up Wilco, which inspired me to post one more of these. Maybe two, even. It’s not like there’s a lot to write about on the football front, anyway. Slow States!

Anyway, “Pot Kettle Black” is one of the few songs from Yankee Hotel Foxtrot that I don’t have ranked higher than everyone else. Grovich has it higher than anyone, probably because it’s as close to the melodic pop of Summerteeth that YHF gets. There’s not a whole lot here that is particularly revelatory, but it somehow manages to bridge the gap between the band’s AM radio sensibility and bleepy-bloopy tendencies better than anything else. It’s also a genuinely entertaining song. Good enough.

Bluegrass is fun. Covers of Springsteen’s “Atlantic...

scrappled — Fri, 05 Oct 2012 21:40:17 -0400

Bluegrass is fun. Covers of Springsteen’s “Atlantic City” are fun. So, then.

The Devil Makes Three.

thefolkist — Fri, 21 Sep 2012 10:26:26 -0400

The Devil Makes Three.

We Are Augustines, resonator magic.

thefolkist — Mon, 17 Sep 2012 16:06:16 -0400

We Are Augustines, resonator magic.

Combining Devendra Banhart’s “new weird...

thefolkist — Thu, 13 Sep 2012 11:28:39 -0400

Combining Devendra Banhart’s “new weird American” eccentricity, Flaming Lips-influenced electronic bells and whistles, and a Wilco-esque twanginess, These United States create a musical melting pot of indie pop sound.

From their Rdio profile. I don’t find them particularly Wilcoy, in large part because the lyrics are as poetic as anything anyone else has done in the last five years are so in a way that even Tweedy only occasionally even strives for.

Their first two albums, A Picture of the Three Of Us… and Crimes, are incredible, rambling stories with powerful chorus phrases and spirit. Lot’s of people get the Bob Dylan comparison, but it’s earned here. Plus they did a wicked cover of “If You Gotta Go” several years ago that was just fantastic.

We Are Augustines, playing at one of the most incredibly vast...

thefolkist — Tue, 11 Sep 2012 15:12:36 -0400

We Are Augustines, playing at one of the most incredibly vast places I’ve ever been (note: I never claimed to be well traveled), outside The Gorge in Washington state. I can confirm it gets windy.

Slow States Wilco Project #38: Side With the Seeds

manof1004holds — Tue, 11 Sep 2012 01:48:09 -0400

Nels is really good at playing guitar. I want to start from that basic premise.

There’s a basic structure to most of his studio solos, though (this does not always apply live, as anyone who has seen the Nels Cline iteration of Wilco live can attest). He starts with an intricate countermelody, for lack of a better term, built on the chord progression of the underlying song. It builds slowly from there, until the entire thing explodes into either the melody or a new, elongated harmony built octaves above the band. It goes and goes and goes until it runs out of room, and it collapses from there.

This is one of those solos, and a completely fucking awesome one at that. The band plays along, chugging beneath Cline’s rocket blasts, just trying to keep the damn car on the road. It works, in the same way that so many Nels songs on A Ghost Is Born and the newest album work. It works because Nels works with Tweedy as well as any musician Wilco has ever had.

The song of the year to date. Presented without further...

manof1004holds — Tue, 11 Sep 2012 01:35:10 -0400

The song of the year to date. Presented without further comment.

Slow States Wilco Project #39: Nothing'severgonnastandinmyway (Again)

thefolkist — Thu, 06 Sep 2012 17:48:00 -0400

Jeff Tweedy spent some time producing Mavis Staples in 2009, and this song seems to make the concept incredibly less surprising. I don’t find this tune very Wilco, if I can say that, in part because of the Beach Boys thing going on that I’ve talked about before, but also because of it unapologetic optimistic take on life.

The New York Times called the Staples colaboration Tweedy heading her way, but that seems mischaracterized:

“I hadn’t heard some of those songs since I was a little girl,” she said. “I said to Tweedy, ‘Where did you get these?’ He took me back to my childhood with those songs, and I would think back to when I was walking around the house with Mom and Pops playing them. I told him, ‘Tweedy, I love those songs, but I never thought I’d be singing them again.’ ”

Without knowing for sure, Tweedy is probably well versed in that kind of music, and “Nothing’severgonnastandinmyway(again)” is the kind of song you’d sing along to with your folks.

I was the hater on this track — a 64 ranking to Patrick’s 49 and Chris’s 12, but now that we’re well past the half-way point on the average I’ll put my Summerteeth bias behind me and appreciate the growth here, taking old and new and doing something different.

Slow States Wilco Project #40: Someday Soon

manof1004holds — Thu, 06 Sep 2012 02:06:34 -0400

There’s something about Jeff Tweedy unabashedly chasing after a woman in verse. At least once an album, something like “Someday Soon” pops up, and it’s sweet and charming and wonderfully straightforward.

At one point in “Someday Soon”, Tweedy sings, “I won’t even make a scene/It all will be just like a dream/Cash will flow down by the old mainstream/Someday soon”. It’s an innocuous lyric, except “Down By the Old Mainstream” became the title of an album by Golden Smog, a side project between Tweedy, the Jayhawks, and a couple of the guys from Soul Asylum. And on Down By the Old Mainstream, Jeff sings “Pecan Pie”. And “Pecan Pie” is perfect, in the same mold of “Someday Soon”.

A Back-of-Napkin List of Best Tweedy Songs not on a proper Wilco release:

1. “Remember the Mountain Bed”, Billy Bragg & Wilco, Mermaid Avenue Vol. 2
2. “Cars Can’t Escape”, Wilco, Yankee Hotel Foxtrot demos
3. “Gun”, Uncle Tupelo, Still Feel Gone
4. “Pecan Pie”, Golden Smog, Down By the Old Mainstream
5. “New Madrid”, Uncle Tupelo, Anodyne

Slow States Wilco Project #41: Casino Queen

manof1004holds — Tue, 04 Sep 2012 20:08:00 -0400

It’s easy to forget, now that Wilco finishes all of its tours in Chicago and plays repeat appearances in the Windy City and has a recording loft there and puts the Marina City towers on the cover of Yankee Hotel Foxtrot, that the band was not originally a Chicago group. Wilco was an offshoot of Uncle Tupelo, which was a downstate Illinois band. And anyone who has ever been in downstate Illinois can tell you St. Louis has as much draw as Chicago.

Hence “Casino Queen” from Wilco’s first album post-Tupelo, an ode to a semi-shitty riverboat casino in St. Louis that probably wasn’t as shitty back when they made this record. There’s nothing particularly special about it musically, but there is also no doubt it rocks your socks off, so much so that the band frequently includes is in set lists now — nearly 20 years after its creation — and clearly enjoys playing it. The lyric “I always bet on black/blackjack/I’ll pay you back” clearly shows Jeff Tweedy knows nothing about how blackjack is actually played and/or believes roulette to be “blackjack” because there’s a square on the board for betting black. In related news, Tweedy is apparently really bad at gambling.

Nothing fancy. Just a straight-ahead rocker from a band that makes remarkably few of them anymore, and a good one at that. It’s enough to make “Casino Queen” the third-highest rated song from A.M. on this list.

I was finally able to consume Port City’s noble effort to...

thefolkist — Tue, 04 Sep 2012 11:04:40 -0400

I was finally able to consume Port City’s noble effort to “save the beer” from June’s mega-storm (mine looked just like this guy’s).

California Common — known as “Steam Beer” before Anchor Steam took advantage of a desolate craft beer scene and the uncanny flexibility of American patent and trademark system — isn’t my highest rated beer style, but this a worthwhile order.

More than anything, I’m sympathetic to craft breweries sticking to their homebrew and small-batch roots, which requires flexibility and creativity in the face on small budgets and a belief in the general idea that unique products are more fun than mass produced ones.